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Victoria's Secret
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Somewhere in the City
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The Young Americans / Bad Lieutenant
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The video dead (1987) review - Cult Labs - The Official Forums for ...
An unlabelled crate from an unsung beginning is delivered to a strain in the woods. The homeowner unwisely accepts the deliverance, only to root it contains a TV set that starts spewing giggling zombies all over the in the right. When a new people moves into the now-forsaken domicile, the son discovers the haunted televsion and is promptly told what he needs to do to send the zombies back where they be affiliated. Meaningful and doing, however, are two very unlike things, and the zombies are not able to go serenely. Okay, the route on this videotape is bad, not in a crap way, but some of the shots are self-explanatory intelligent set ups with one or perchance two takes, some angles are off too. There are some very intriguing shots though such as when the zombies are coming out of the box. This was nicely done. Robert Scott The president has only made one other smokescreen as helmer, a covering called Ratdog, But he's been an auxiliary impresario on films and TV shows since including First AD on the shows Heroes and Domicile....
Bad Lieutenant - Trailer - HQ
Champion Argo, Paul Calderon, Leonard L. Thomas, Robin Burrows, Frankie Thorn, Victoria Bastel, Paul Hipp, Brian McElroy, Frankie Acciarito, Peggy ...
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Victoria Bastel - Bookshelf
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384 pages |
More than night, film noir in its contexts The teenaged man (Johnny Mez) wears red sneakers, and the woman (Victoria Bastel) wears a chartreuse gown. “I was caught up in the nostalgia for a remembrance I ... |
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About this book "Fade away noir" evokes memories of stylish, cynical, black-and-white movies from the 1940s and '50s--melodramas about reclusive eyes, femmes fatales, criminal gangs, and lovers on the run. James Naremore's prize-sweet book discusses these pictures, but also shows that the central term is more complex and paradoxical than we realize. It treats noir as a spell in criticism, as an expression of artistic modernism, as a symptom of Hollywood censorship and politics, as a market policy, as an evolving style, and as an idea that circulates through all the media. This new and expanded edition of More Than Night contains an additional chapter on photograph noir in the twenty-first century. |
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250 pages |
Roy Scheider, a film biography ... Wallace Wood (Ma), William Duff-Griffin (Paddy), Tony Sirico (Malacci), Victoria Bastel (Girl #1), Katrina Rae (Piece #2), Joe Paperone (Ginny), ... |
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About this book Over his 30-plus-year acting vocation, Roy Scheider has redefined America's idea of a leading man, thanks to his talent for playing an urban everyman that audiences recount to and root for, despite his flaws and failures. He rose to fame in the early 1970s in the Oscar-prepossessing films Klute and The French Connection (his first Oscar nomination). Roy garnered more critical acclaim in Jaws and Marathon Man, as well as a second Oscar nomination for All That Jazz. Scheider's entity and career are chronicled in this work. Beginning with his childhood in New Jersey, which included a somewhat rocky relationship with his pa and three bouts of rheumatic fever, it then traces his development from a community theater actor to a world-eminent movie star. It covers his most recent activities, including work in the Golden Globe-delightful RKO 281, released in 2000, and the Shakespearean drama King of Texas, released in 2002. Includes a unabridged filmography. |
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1618 pages |
Time Out Film Guide 2005 |
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About this book Written by 250 of the most excellently critics, the Time Out Film Guide is a collection of nearly 16,000 engaging and provocative capsule reviews of films across the spectrum of cinema story, from Russian silent movies to American comedies, classic documentaries to Japanese anime, B-movies to Hollywood blockbusters. Each judge contains major technical credits, country of origin, running time, color encrypt, copyright year, and cast list. Icons identify the top 100 films named in both readers' and Cinema Centenary polls. Twenty-one appendices classify titles by head and country, while comprehensive indices identify award-winning films, plus the works of respected actors and every director covered in the guide. Another index allows readers to search by subject, covering everything from buddy movies to covering noir to teen flicks. New features in this edition include color tabs throughout for easy steersmanship; more color illustrations; 50 filmmaker interviews focusing on current features; and 100 new... |
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